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We are often, if not always, time constrained. On the other hand if you’re shooting a documentary you may not necessarily know where your subject is going to move, so a stabilized telephoto may work best.įor Stark Insider, we shoot food & wine, backstage theater, and sit-down interview videos. In this situation, prime lenses (those with fixed focal lengths) are usually the best as they offer the sharpest quality image. Scenes will be carefully constructed, blocked, lit. It depends on how you’re planning to use the camera.įirst establish up front what style of video you’ll be filming.Ī narrative feature will have a script and storyboard.
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You can use a tripod or some form of rig to correct that issue, but if you’re like me, you’re doing run-n-gun and shooting documentary style… which leads me to this point… “Best” ?ĭeclaring these particular lenses as “best” for DSLR video is a bit of a misnomer. Without lens stabilization you’ll get what’s called “micro-jiggles” when shooting handheld. On Canon lenses that feature is usually denoted with “IS” in the model name. If you’re getting into DSLR video for the first time I highly recommend you look for a lens with image stabilization. One thing I’ve learned: a lens made primarily for taking photos may not necessarily be the best for video.
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And a seemingly endless array of manufacturers (Canon, Tamron, Sigma, Zeiss, etc.). Lots of types (telephoto, prime, macro, fisheye). Otherwise, it’s an absolutely exceptional lens. Note though you’ll need a stabilizer like a gimbal or tripod as this Sigma doesn’t have image stabilization. If you want to buy ONE and only one lens get the Sigma 18-35mm f/1.8 and call it a day. Most recently I’ve been shooting Stark Insider videos and short film projects on the (amazing) Panasonic GH5. I never looked back, eventually moving to a EOS 60D and then to the brilliant auto-focus equipped 70D (seen in photo above), and to the Canon EOS 80D. First using a good ol’ Canon Vixia camcorder then in 2010 everything changed when I bought the EOS Rebel T2i and entered the world of DSLR video. I’ve been shooting video for about fifteen years. Thinking about taking the dive into video with your Canon DSLR? Here’s 5 lenses worth a look.